Saturday, July 23, 2011

Every Picture Tells A Story: Ian Greenlees - What A Tease

Number 15. This one by Martin Smith, with ideas and comment by Richard Tillett.

This series has gone on longer, and in more extraordinary directions, than we ever expected when posting the first episode in October last year. It was Mario Praz who kicked off our search for the Gentlemen of Hereford Chess Club with his (reversed) illustration, item 139, in An Illustrated History of Interior Design: From Pompeii to Art Nouveau (1964 reprinted 1982). We then thought we could track the picture down through the Ian Greenlees Collection which Praz gave as the source of his image.
But Greenlees had died in 1988 and his collection dispersed. We hoped that from beyond the grave he might lead us to the picture, but it was not to be. Although we found two more versions of the picture along the way we didn’t get any nearer to the one that once hung on Greenlees’s wall. Instead, we got another picture: that of Ian Greenlees and the company he kept. It’s worth a look, and we crave your indulgence in what follows, because although the Greenlees story is interesting in itself, there’s precious little chess, and not much either of the Gents of Hereford.

Greenlees was born in 1913 into a family with a profitable whisky distillery, whose fortune he later inherited. After a good Catholic education at Ampleforth College he got a First in Italian at Magdalen College, Oxford and in 1934 started teaching English Literature at the University of Rome under our Mario Praz (so they knew each other well ). In 1939 he was appointed Director of the British Institute in Rome, and when Italy entered the war in June 1940, Greenlees, only 27 years old, heroically led his staff across war-torn France to safety in London.

Now in the Army, he was made responsible for Italian-language propaganda broadcasts, took part in the Allied landing in North Africa and, when Fascist Italy conceded an armistice, was despatched across Italy (still infested with German patrols) to take command of a free radio station in Bari, in the heel of Italy, from where anti-fascist broadcasting was organised. By 1943 he had risen to the rank of Major.

Ian Greenlees, on the left, in Naples 1943.

Greenlees crops up in the second world war reminiscences of Alfred de Grazia. Sharing his thoughts on male-bonding and homosexuality among troops in the US and British armies, de Grazia refers to Greenlees as a “gay type”. He never married, and you can speculate, as you look at the beefcake on display in the Gents of Hereford, and the masochistic ectasy of Saint Sebastian on the wall, whether this orientation may have influenced his taste in art.

The object of the male gaze?

Referring to Greenlees’ role in intelligence operations later in the war, his Times obituary says “he was one of the leading lights in the famous intelligence unit at Via Po where all the important Italian politicians…were entertained”. Greenlees went on to represent Britain in negotiations in Italy to establish a new government purged of Fascist influence, and in the immediate post-war period he was well acquainted with the main players vying for influence in a free Italy, including Togliatti, the leader of the Italian Communist Party.

The only photo we have found of Greenlees is the war-time snap above (or what remains of it), but there is also the suggestive comment by Australian author Shirley Hazzard that, in addition to being a friend of Graham Greene, he was “in appearance, manner, and pallor, a ringer for Sydney Greenstreet” who played Signor Ferrari in the noir-ish 1942 film Casablanca. Chess addicts will know it as the film in which Humphrey Bogart famously played chess, although not with the Greenlees doppelganger.

“A ringer for Sydney Greenstreet”
with Bogey (chess grade estimated at ELO 2100).

Greenlees’ friend Grahame Greene was, as is well-known, also a Catholic and worked sometime for MI6 under Kim Philby (who is usually mentioned in the same breath as the other Cambridge spies Burgess and Maclean).

From 1947 to 1954, Greenlees was working for the British Council in Rome, but we’d like to make clear that any suggestion that the British Council was a front for espionage is, of course, highly fanciful. Highly fanciful. His title was “Assistant Press Attaché”. Perhaps we might have expected that a man mentioned in despatches, and with his knowledge of Italy, would be assigned a more elevated post, so we can only speculate as to his actual role, but with the ominous strength of the Italian Communist Party in the aftermath of the war, what better place to install an Italian speaking one-time Major of the British Army with the ear of leading Italian leftists.

So, for the next seven years Greenlees was rubbing shoulders with the Italian cultural elite, and possibly many others besides. Among them was Mario Praz, still Professor of English Literature at the University of Rome right through to 1966 (he was a staunch Anglophile, made a KBE in 1962).

Mario Praz KBE (1896-1982) at home.
[A dead ringer for
Lord Clark of Civilisation]

Let’s spare a thought for the club-footed Mario Praz who was said to be possessed of an “evil eye”, his mere glance causing an Empire vase to erupt or subliminally impelling a chandelier to crash to the floor of a Roman drawing-room, according to art critic John Richardson. Careless of his loose psychic cannon he installed in his palazzo (now a museum) an exquisite collection of furnishings and paintings – which we have scrutunized closely online in the hope of spotting a Leeming or two. But in vain.

The Scrivania at Mario Praz’s Palazzio

Getting back to our subject, Greenlees was also friends in the 50s with Renato Guttuso, a committed anti-Fascist artist who was later to be elected a Senator for the Italian Communist Party. Tantalisingly, in 1950 he painted Greenlees' portrait in army uniform which, frustratingly, we have not been able to trace.

In a career break between 1954 and 1958 Greenlees found time to write several articles, and a booklet on the well-nigh forgotten fugitive English ex-pat novelist and travel writer Norman Douglas, who lived and died in Capri, his memorable death-bed wish being (expletive deleted) “keep those f***ing nuns away from me”. In 1958 Greenlees was appointed Director of the British Institute in Florence, where he remained until 1981, and is credited with expanding its role and influence, assisted ably by none other than Antony Blunt, the other Cambridge spy, who was on its Board of Governors. What a thought: Antony Blunt, Surveyor of the Queen’s pictures, connoisseur of French painting and architecture, expert in Italian art, and sometime traitor, taking a wee dram chez Greenlees and casting his discerning eye over Leeming’s Gents of Hereford Chess Club.

During his tenure Greenlees was an occasional letter writer to the Times: appealing for aid to help victims and save artworks during the floods in Italy in 1966, and campaigning to preserve the traditional form of the Catholic Mass in 1971 (with co-signatories Agatha Christie and Graham Greene, among many others). He also helped create the Italian version of the RSPB which eventually won a ban against the slaughter en masse of migrating songbirds.

He dabbled in the London auction houses, with several sales in the 1960s, including 21 lots of Chinese ceramics and nine lots of modern English pictures at Sotheby’s in 1961, of which three were Sickerts.

Somehow or other, probably at an auction house or through a dealer, he came by the Gents of the Hereford Chess Club, which was sold on in 1991, a few years after his death. He accumulated a huge library which, combined with that of his friend Robin Chanter (“a brilliant and dissolute figure” ), totalled 28,000 books. It was housed in the mansion in Bagni di Lucca in Northern Italy which they bought together in 1969, and they wintered in Capri, Douglas’, Greene’s and food-writer Elizabeth David’s watering hole.

Chanter however set up home with Ms Laura Buchan (grand-daughter of John "Thirty-Nine Steps" Buchan) in 1975, though they week-ended with Greenlees, and in the 1980s all three lived together in Bagni di Lucca. After Greenlees died in 1988, the library was donated to the local Commune, and Robin Chanter died in 1999.

Our trawl through the life of Ian Greenlees OBE has disappointingly shed no light on the whereabouts of the version of the Gents of Hereford Chess Club once in his possession. Until we turn it up some other way we will let him tease us no more.

But we have got to know Greenlees quite well. His Who’s Who entry listed his interests as swimming, walking and talking, but not, alas, playing chess. His Times obituary said “He was an unambitious man but he mastered the art of being happy and knew how to impart this gift to others. He hated war, the army, nationalism and public schools.” And was perhaps, in no particular order: tinker, tailor, soldier, spy?


Acknowledgements and Sources

Thanks to Jonathan B., and Richard Rawles for their help with research for this post; and to James Buchan and his sister for answering my query on the Guttuso portrait, albeit in the negative.
Simona Tobia's
Advertising America; The United States Information Service in Italy (1945-56) describes Greenlees involvement with Radio Bari.
See Alfred de Grazia’s Autobiography
A Taste of War for Greenlees activities in war time Italy, his army liaison with the American forces, and a description of him as a “gay type”. Graza gives the photograph of Greenlees.
Shirley Hazzard's "ringer for Greenstreet" comment is here.
John Richardson's Praz observation comes from here.
Greenlees' booklet on Norman Douglas was published in 1957, No 82 in the Writers and Their Work series by the British Council and Longmans. His "nuns" quote comes from his Wikipedia entry.
Greenlees' obituary by Lord Hastings was in the Times, 2nd August 1988.
Robin Chanter's obituary by James Buchan is here.


15 comments:

ejh said...

I'm rather surprised to learn that one could read Italian at Magdalen back then.

Martin S. said...

Yep, and they are still going strong today.

ejh said...

Next thing you know Modern History will begin in modern times...and not at 410, as it did when I was a student of that discipline. (I believe it had only then recently been moved forward from the late third century AD.)

Jonathan B said...

What happened in 410 then?

ejh said...

Letter from the Emperor Honorius telling the Britons, in response to their plea for help against barbarian attacks, that there was none to be spared and they would have to make shift for themselves.

(I'm not actually 100% sure the syllabus started in that year, to tell the truth, but it was round about then.)

David Platzer said...

I have just discovered this piece. I came to know Ian Greenlees in his last decade, first at the British Institute of Florence and then after his retirement living on and off in the house he shared with the Chanters in Bagni di Lucca. I don't recall seeing the painting which inspired your investigation but the Guttoso portrait of Ian was in Ian's sitting room along with a Luca Giordano oil sketch, a Richard Wilson, an Edward Lear. Anthony Blunt was not Ian's cup of tea, being too academical: Ian shared rather the light touch of the Sitwells when it came to art. Robin Chanter died in 2004 rather than in 1999. A few years after Ian's death I wrote a memoir about him which was published in The London Magazine (Dec 1994/Jan 1995). Norman Douglas still finds readers.

Martin Smith said...

Dear David,
Thanks so much for your comments, observations and corrections.
I'll look forward with great interest to reading your London Magazine memoir.
As for the Guttoso portrait, sadly the Guttoso Archive had no knowledge of its whereabouts when I contacted them a couple of years back.
Regards.

David Platzer said...

Dear Martin,
Many thanks for your nice reply to my comment. I found it only this evening, having looked again at your piece. Today, Mark Roberts, Robin Chanter's successor as the British Institute of Florence's librarian told me that there is to be a three day conference on Ian Greenlees in Italy. With his bow-tie and serene authority, he seemed to me more akin to Bernard Lee's M in the earlier Bond films than to Sydney Greenstreet. That brings him closer still to the Secret Service: Greenstreet often played rather sinister characters. The wartime photo makes Ian look rather Lee at younger moment when Lee played a minor part in Greene's film, The Third Man. Speaking of Shirley Hazzard, Ian, who relished a playful tease, incensed her and her husband, Francis Steegmuller (biographers of Cocteau and Flaubert) by praising Richard Nixon at the time of Watergate. Ian greatly enjoyed getting a rise out of the couple's solemnity. Though I never heard of him playing chess, it is easer to think of amusing himself in that way than swimming or walking: he was anything but athletic.

Martin Smith said...

Dear David,
So nice to hear from you again!
I'm liking the sound of Ian Greenlees more and more!
I will try and make contact with Mark Roberts and see if he would be kind enough (and/or able) to assist us; especially in trying to locate the Guttoso portrait.
It would be nice to talk directly to you, if you have no objection. One way would be to leave your email address in the comments box (it wouldn't be published, of course).

Anne-Marie de Grazia said...

Hello, I am the wife of Alfred de Grazia who is alive and well and living in France and just received the Legion of Honor. There has been a new edition of his book of WWII memoirs, "A Taste of War," with another picture of Ian Greenlees, probably taken the same day. The fellow next to him on both pictures is Lord Edmund Howard. I had the pleasure of meeting Greenlees and Chanter together with Alfred in Florence in the late seventies...
Most friendly greetings to whomever...
Anne-Marie de Grazia

Martin Smith said...

Dear Anne-Marie,
Thanks so much for your comment. Greetings to you, and congratulations to your husband on his award. I will try and get sight of Ian Greenlees in the new edition of "A Taste of War."
You may be interested to know (though perhaps you do already) that a conference on Ian Greenlees is being planned to be held in Florence later this year. You could get details via the British Institute there.
Perhaps you would be kind enough to contact me via chesscomments@gmail.com as I would be very interested in showing the new photograph (in the context of referring to the book, and your website) in a blog. Belated apologies, btw, for not seeking permission on the previous occasion.
Kind Regards.
Martin Smith.

Loudon Greenlees said...

My name is Loudon Greenlees and Ian was my uncle and Godfather and have been fascinated by your article and tweets. I would be very grateful if there is a conference you could let me have details as I would very much like to attend. I was with him at the Institute in 1964/5 - a marvellous time after leaving a monastic education at Ampleforth!! Sadly I have no information to help with your search of the picture but am quite aware of the disappearance of his chattels!!

Martin Smith said...

Hello Loudon! Wonderful to hear from you. This blog has turned into quite a reunion of people who new Ian Greenlees.

I will post details of the Conference when they come to hand.

Thanks also for letting us have your email address - I will also email you directly.

David Platzer said...

The Streatham & Brixton Chess Blog has given a new fame to Ian Greenlees. How I wish I had got in touch with Loudon Greenlees in the Nineties when I was working with Robin Chanter on a book about Ian's life.

Anonymous said...

Dear All,
I am glad to inform you that from the 12 to the 14 of September 2014 at the Biblioteca Comunale of Bagni di Lucca will take place the following international conference: UN ESTETA A BAGNI DI LUCCA: IAN GREENLEES E IL SUO MONDO (An Aesthete in Bagni di Lucca Ian Greenlees and his world).
It is organized by the Fondazione Montaigne together with the University of Pisa.
Elisabetta d'Erme