Wednesday, January 18, 2012

Quiet time

It was an enjoyable afternoon, albeit a confusing one at times for my young friend.

"Can't I do that?" Zac asked at one point, glancing up at me with a quizzical look in his eye.

"Not all at once," I replied. "Pawns can move two squares on their first go, and they do capture diagonally like that, but they can't do both at the same time."

"You can go here," I jabbed a finger at c4, "and then next turn you could take me ... if I don't take you first."

Zac is seven. He got a chess set for Christmas and had pretty much taught himself the way the pieces move. He might not have got it all entirely right - wanting to play his knight from b1 to c5 was another of his novelties - but was a never too far off.

Charlotte plays too. She's three years older than her brother and, which way around the king and queen start aside, is much more confident about the rules. She told me she'd learned chess at school during 'quiet time'. Chess is one of the things they can do while the volume is turned down and one week a friend had showed her the moves.




Chess is most definitely not on the curriculum at Charlotte's school and, Malc Pein's efforts notwithstanding, I can't help feeling that's how it should be. When kids are leaving education with good grades in their English exams and still not knowing how to use an apostrophe, I'm not sure that it's the teaching of chess that is the top priority.

Yes, I know it's claimed that the introduction of chess to schools aids rather than inhibits academic attainment. I may or may not get around to writing something more on that at some later date. For now let's just say that, pleasing-to-the-eye brochures notwithstanding, I'm far from convinced that the statement that chess "makes children smarter" is true in any meaningful sense. Even if it were it's a really poor way to encourage participation in the game for the simple reason that there's an infinitely better argument readily available. Our old chum Nigel Short wasn't talking about chess in schools per se, but he hits the nail on the head here, I think:-


Give a message to all children who want to take up chess. Why should they?

Because it's FUN! Not because it's a good career move, it isn't. Not because of anything else, it is just a very enjoyable game.
CHESS, vol 76 #8 (interview with Carl Portman)


Play chess because it'll be fun? That's something Zac and Charlotte have worked out for themselves. Other kids will too if we let them.










Quiet Time photo from the Frugal Family Fun Blog

Monday, January 16, 2012

Department of A Likely Story : Richard Desmond and the chess correspondent

So we felt by backing the editor, by putting more money into the editorial on the Daily Star, by looking at the chess correspondent, who was based in Latin America, or the New York bureau, one person in New York, all this sort of nonsense and grandism that surrounded the paper at the time, we felt that by taking a firm control of that we could, you know, get the magazine -- get the newspapers back into profit.
I was following Richard Desmond's evidence to the Leveson Inquiry last Thursday, via the Guardian liveblog, when he made this unexpected reference to a chess correspondent based in Latin America. The Guardian reporter's immediate response was
That, presumably is a joke
and mine, to be honest, was the same: I assumed it was some kind of mythical figure representing snobbishness, elitism and luxury among the metropolitan broadsheet press. A lot of mythical figures like that exist in the contemporary imagination. Not a few of them exist in the pages of Richard Desmond's newspapers.

A man of imagination

But mythical or otherwise, he must have meant it, since he said it again shortly afterwards:
I think a lot of these other groups don't really understand that it is a business, and, you know, there's more to life than the chess correspondent based in Latin America.
Well, if you can't repeat your own jokes then whose can you? But is it a joke? Or did such a figure actually exist? Or did some other figure exist, who over the course of a decade has been transformed, in Richard Desmond's imagination, into the bogeyman he brought up at Leveson?

It's not the first time Desmond has made such a claim. Radio Four had cause to mention it last August, which was mentioned on the English Chess Forum:
He fired the paper's chess correspondent who lived in South America earning £60,000 a year.
This, in turn, may derive from statements he made when acquiring Channel Five in July 2010, at which time he made at least two mentions of this transatlantic chess correspondent whose employment he terminated. One was in an interview in the Jewish Chronicle in 2010:
When two companies come together, there will be efficiencies which need to be made. When we bought Express Newspapers, for instance, we were paying £50k for a chess correspondent in Latin America.
while another was in a Sky News interview in which (at 2:30) he says:
When we bought the newspapers in 2000, there was a chess reporter based in South America who was paid fifty thousand pounds a year. So we did terminate his services.
So what, as they say, is all that about? It's hard to believe that even at its most profligate, any British daily paper would have retained the services of a full-time chess correspondent based in South America, which is why, along with the Guardian journalist, I assumed it was a joke. But the repetition of the story leads one to believe that Desmond is at least thinking of something real, even if the reality was rather different to what his memory, or his imagination, says it was.

But what? I can't admit to seeing the Daily Express very often (though my parents used to get the Sunday Express about a million years ago, when John Junor was still alive). My impression is that it used to be written for genteel fascists and is now written for street thugs, which is not remotely the fault of its chess correspondent, one Luke McShane. A very long-term chess correspondent, as I understand it, though I don't know if his period with the paper has been unbroken. I do know that he's unlikely to have been based in Latin America at the time of Richard Desmond's acquisition of the title, since he was then at the City of London School.

Not guilty

So who? Stewart Reuben notes that Bill Hartston was at the Daily Express at the time, though far from having been dispensed with, he has been there ever since. Moreover he wasn't living in Latin America and for that matter wasn't the chess correspondent: instead, as he related in an interview with this very blog, he was signed up by Rosie Boycott to write the Beachcomber column.

Life in Rio

Intriguingly, though, he does say in the interview that he did write about chess for a short time:
There was a brief moment when The Express had a puzzles supplement and I did some stuff for that but that's all.
Can this possibly be the source of Desmond's recollection, the closure of this puzzles supplement? It's pretty thin evidence to go by. But we seem to have a choice between pretty thin evidence and none at all.

The oddity of Desmond's comments haven't gone entirely unnoticed in the media, especially by the Guardian's Stephen Moss. He Tweeted:


He doesn't, however, go on to say who thinks it was. Perhaps he, too, is thinking of Bill Hartston.

But maybe there really was a Latin American-based chess correspondent, trousering fifty or sixty big ones a year for no obvious return. As the late Sir John so often said, I think we should be told.

. . .

As it goes, it's not the first time Richard Desmond and mysteriously expensive chess correspondents have coincided. When I read the following passage from the Leveson transcript
A. I hope so. Frankly, I'd rather get rid of this, you know, prosecute the people that have committed offences and get on with business. And have a proper RCD board of proper business people, legal people...

LORD JUSTICE LEVESON: What do you mean -- I'm sorry, you have to explain -- RCD?

A. Richard Clive Desmond.
I couldn't help but recall another passage (which I first saw mentioned here) from Docklands Encounter, a 1984 instant Batsford book by Keene and Goodman*:
That afternoon, Keene, Campomanes and Chetwynd assembled at Ivory House, HQ of Strategy International, and then drove to Northern and Shell for their appointment with Richard Desmond and Chris Cottom of Sightline. The meeting was a failure - it quickly became apparent that there was bad chemistry between the two sides. Keene and Campomanes had hoped to be offered sponsorship. Instead, Cottom suggested that he pay his Company a flat fee of £5,000 and, in exchange, his sales force would look for sponsors. This fee would not be refundable, even if no new sponsors were found. The meeting broke up with Keene and Campomanes dissatisfied. Richard Desmond did, however, offer everyone a lift in his gold Rolls Royce (number plate RJD001) and dropped Keene and Campomanes off at the Cumberland Hotel in Marble Arch where Hasan was staying. (p. 17)
Thanks to the reader who supplied me with the passage. But RJD? Must have been written by Goodman. You wouldn't expect Ray to make a lapse like that.


[Source for Sky News interview]
[Desmond photo: Guardian]
[McShane photo: The Scotsman]
[Ray Keene index]

[* Actually the authorship of the book is somewhat obscure since the hardback and paperback editions give different and inconsistent information: it's actually a mess. Other people who are listed as having contributed include Robert Wade, HM Hasan and John Groser. I've gone for Keene and Goodman as the main authors. Thanks to our reader who assisted me with this.]

Saturday, January 14, 2012

A Literary Reference : Funeral In Berlin


I went with her down the long cream corridor to a room at the extreme western wing of the building. The decor too was like County Hall. She tapped gently on a large door and without waiting for a reply motioned me through. It was dark inside the room with just enough light filtering through the window from the courtyard to see where the desk was. From behind the desk there was a sudden red glow like an infra-red flash-bulb. As my eyes grew accustomed to the dark I saw that the far side of the room was filled with a silvery sheen.

"Dorf," said the voice of Stok. It boomed almost like an amplifier. There was a click from his desk; the yellow tungsten light came on.

Stok was sitting behind his desk almost obscured by a dense cloud of cigar smoke. There was Scandinavian-style East German furniture in the room. On the table behind me there was a Hohner simple button-key accordion, piles of newspapers, and a chessboard with some of the pieces fallen over. There was a folding bed near the wall with two army blankets on it and high leather boots placed together at the head. Near the door was a tiny sink and a cupboard that might have held clothes.

"My dear Dorf," said Stok. "Have I caused you great inconvenience?"

He emerged from the cigar smoke in an ankle-length black leather overcoat.

"Not unless you count being scared half to death," I said.

"Ha ha ha," said Stok, then he exhaled another great billow of cigar smoke like a 4.6.2 pulling out of King's Cross.

"I wanted to contact you," he spoke with the cigar held between tight lips, "without Vulkan."

"Another time," I said, "write."

There was another tap at the door. Stok moved across the room like a wounded crow. The grey-haired one brought two lemon teas.

"There is no milk today I am afraid," said Stok; he drew the overcoat around him.

"And so Russian tea was invented," I said.

Stok laughed again in a perfunctory sort of way. I drank the scalding hot tea. It made me feel better, like digging your finger nails into your palm does.

"What is it?" I said.

Stok waited while the grey-haired one closed the door behind her. Then he said, "Let's stop quarrelling, shall we?"

"You mean personally?" I said. "Or are you speaking on behalf of the Soviet Union?"

"I mean it," said Stok. "We can do far better for ourselves if we co-operate than if we obstruct each other." Stok paused and smiled with studied charm.

"This scientist Semitsa is not important to the Soviet Union. We have other younger men with newer and better ideas. Your people on the other hand will think you marvellous if you can deliver him to London." Stok shrugged his shoulders at the idiocy of the world of politics.

"Caveat emptor?" I said.

"Not half," said Stok in a skilful piece of idiom. "Buyer watch out." Stok rolled the cigar across his mouth and said, "Buyer watch out," a couple of times. I just drank the lemon tea and said nothing. Stok ambled across to the chessboard on the side-table, his leather coat creaking like a windjammer.

"Are you a chess player, English?" he said.

"I prefer games where there's a better chance to cheat," I said.

"I agree with you," said Stok. "The preoccupation with rules doesn't sit well upon the creative mind."

"Like communism?" I said.

Stok picked up a knight. "But the pattern of chess is the pattern of your capitalist world. The world of bishops and castles, and kings and knights."

"Don't look at me," I said. "I'm just a pawn. I'm here in the front rank." Stok grinned and looked down at the board.

"I'm a good player," he said. "Your friend Vulkan is one of the few men in Berlin who can consistently beat me."

"That's because he is part of the pattern of our capitalist world."

"The pattern," said Stok, "has been revised. The knight is the most important piece on the board. Queens have been made...impotent. Can you say impotent of a queen?"

"On this side of the wall you can say what you like," I said.

Stok nodded. "The knights - the generals - run your western world. General Walker of the 24th Infantry Division lectured all his troops that the President of the U.S.A. was a communist."

"You don't agree?" I asked.

"You are a fool," boomed Stok in his Boris Godunov voice.

"I am trying to tell you that these people..." He waved the knight in my face. "... look after themselves."

"And you are jealous?" I asked seriously.

"Perhaps I am," said Stok. "Perhaps that's it." He put the knight back and he pulled the skirt of his overcoat together.

"So you are going to sell me Semitsa as a little bit of private enterprise of your own?" I said. "If you'll forgive the workings of my bourgeois mind."

"You live only once," said Stok.

"I can make once do," I said.

Stok heaped four spoonfuls of coarse sugar into his tea. He stirred it as though he was putting an extra rod into an atomic pile. "All I want is to live the rest of my life in peace and quiet - I do not need a lot of money, just enough to buy a little tobacco and the simple peasant food that I was brought up on. I am a colonel and my conditions are excellent but I am a realist; this cannot last. Younger men in our security service look at my job with envy." He looked at me and I nodded gently. "With envy," he repeated.

"You are in a key job," I said.

"But the trouble with such jobs is that many others want them too. Some of my staff here are men with fine college diplomas, their minds are quick as mine once was; and they have the energy to work through the day and through the night too as once I had the energy to do." He shrugged. "This is why I decided to come to live the rest of my life in your world."

He got up and opened one of the big wooden shutters. From the courtyard there was the beat of a heavy diesel engine and the sound of boots climbing over a tailboard. Stok thrust his hands deep in his overcoat pockets and flapped his wings.

I said, "What about your wife and your family, will you be able to persuade them?"

Stok continued to look down into the courtyard. "My wife died in a German air raid in 1941, my only son hasn't written to me for three and a half years. What would you do in my position, Mr Dorf? What would you do?"

I let the sound of the lorry rumble away down Keibelstrasse.

I said, "I'd stop telling lies to old liars for a start, Stok. Do you really think I came here without dusting off your file? My newest assistant is trained better than you seem to think I am. I know everything about you from the cubic capacity of your Westinghouse refrigerator to the size your mistress takes in diaphragms."

Stok picked up his tea and began to batter the lemon segment with the bowl of his spoon. He said, "You've trained well."

"Train hard, fight easy," I said.

"You quote Marshal Suvarov." He walked across to the chessboard and stared at it. "In Russia we have a proverb, 'Better a clever lie than the foolish truth'." He waved his teaspoon at me.

"There was nothing clever about that clumsy piece of wife-murder."

"You're right," said Stok cheerfully. "You shall be my friend, English. We must trust each other." He put his tea down on the desk top.

"I'll never need an enemy," I said.

Stok smiled. It was like arguing with a speak-your-weight machine.

"Truthfully, English," he said, "I do not want to defect to the West but the offer of Semitsa is a genuine one." He sucked the spoon.

"For money?" I asked.

"Yes," said Stok. He tapped the fleshy palm of his left hand with the bowl of the spoon.

"Money here." He closed his hand like a vault.

...

I thought about 'King' Vulkan when I got back to the Fruhling. I was surprised that he was one of the best chess players in Berlin but he was full of surprises. I thought about my code name - Kadaver - and about Kadavergehorsam, which is the sort of discipline which makes a corpse jump up and salute. I poured a Teacher's and stared down at the screaming shining lights. I had begun to get the feel of the town; both sides of the wall had wide well-lit streets separated by inky lakes of darkness. Perhaps this was the only city in the world where you were safer in the dark.

...

He turned his back to me and began to toy with the junk on the bench, setting up some monstrous chess game. He tapped the rusty sparking plugs and squeezed valve springs in the palm of his hand. At the side of the bench was a thick polished oval of wood. There were twelve different sizes of drill stuck into it like matches in a peg board. Johnnie amused himself throwing the springs over the shiny drills. "Schmidt's of Solingen," it said on a scroll around the wooden base. "Best drills in the world."

...

Already it was dusk. The back-gardens all along the block were a chessboard of lighted
windows. The light inside the houses was very yellow in the blue evening of a London winter.

Len Deighton, Funeral in Berlin, Triad, 1978. p.29-31, p.35, p.166, p.183-4. (Original date of publication 1964.)

[Thanks again to Campion - and to Richard who did a lot of work on this]

[A Literary Reference index]

Friday, January 13, 2012

"The Berlin Defence is a classic defence by means of counter-attack"


1 Players move alternately — only one at a time.
Len Deighton's Funeral In Berlin, originally published by Jonathan Cape in 1964, is probably best-known these days for the 1966 film, directed by Guy Hamilton and starring Michael Caine, that was made from it.

The novel, however, is of particular interest to those who follow chess as well as cinema, because it refers to chess not only in a number of different passages (for which, see tomorrow's posting) but also at the head of nearly all of its fifty-one chapters. (The others all have, as headings, names of characters in the novel: the second chapter, for instance, is headed ROBIN JAMES HALLAM.)
3 Where pieces are used to protect other pieces, there will be high casualty rate. Better by far to assign only pawns to supporting roles.
I've reproduced them all here, with the numbers of the chapters which they head attached to them. (In the text, they appear in italic type - I've preferred blue here for ease of viewing.) They are all short references, offering definitions, explanations or some other kind of information or advice on various aspects of the game. The name of an opening, for instance
4 The Berlin Defence is a classic defence by means of counter-attack.
or some simple advice on how the game is played
5 When a player offers a piece for exchange or sacrifice then surely he has in mind a subsequent manoeuvre which will end to his advantage.
or the explanation of some piece of chess terminology
6 A bad bishop is one hampered by his own pawns.
or simply how one of the pieces moves.
7 Knights can pass over squares controlled by enemy forces. Knights always end their move on a square of the opposite colour.
When you start reading through them, though, you notice certain things that don't necessarily seem right. Some of the terminology, for instance, is strange. Have you ever heard of a Roman Decoy?
13 Roman Decoy: a piece offered as bait to save a hazardous situation.
Is "range" a common term in chess?
30 Range in chess is measured not by distance but by the number of squares to which a legal move can be made.
Does this sound like an apt description of the Czech Defence, even supposing that name were generally used in English?
31 Czech Defence: a sequence in which pawn is matched with pawn but the queen's bishop tips the balance.
There is some clumsy English: I don't think that we would normally "make" an attack, for instance
15 Even a pawn can make a 'double attack'.
and in the following snippet, the identity of "his" is not at all clear
23 King's Gambit is an opening in which his own side's pawns are sacrificed.
while we would surely talk of "losing a tempo", rather than just "tempo" without the article.
38 A player who uses two moves to do something possible in one is said to have 'lost tempo'.
There's also a missing article here
36 Switchback: to return to original position in any given sequence.
as there is in the heading to chapter three, given above. There are also some possible typos, as for instance here
37 A committed piece is one given a specific duty. It often becomes the focal point of an opponents attack.
where the possessive apostrophe has been omitted. Which might be an error of understanding rather than an accidental omission, but the absence of the inverted comma before "foot", here
44 In China, Hungary, India, Korea and Poland pawns are called foot soldiers', but in Tibet they are called 'children'.
is surely accidental.

Accidental by whom, though? By the UK publisher, quite possibly. But taken as a whole, various strange aspects to the snippets - unfamiliar terminology, clumsy English - give the impression that they are from an work in another language, translated into English by a non-native speaker. The occasional omission of the article may suggest that the original language (and presumably its translator) could be Russian, which lacks "a" and "the", and shoddy production would not be atypical of the Soviet publishing industry. (Or indeed, the chess book publishing industry elsewhere, har har.)

It has the feel of a translation. Perhaps from some chess primer, a beginners' guide, an introductory work. But is it? And if so, what? I don't know. There's nothing in the book to say so, to indicate (if this is indeed so) what the original work was, or who translated it. Nor to say, if this isn't so, where all these little snippets come from.

I don't know whether Deighton was a chessplayer, or if he ever explained the references, or if anybody else has ever discovered their provenance. My searching the internet hasn't produced any results, though perhaps somebody else may do better.

I'd guess that British chess magazines, from the mid-Sixties, when Deighton's novel was published, might have looked into it. But I don't have access to them where I am. Any readers who do, or can shed any light on the origin of Deighton's chapter headings from any other source, would find their information warmly welcomed.

8 Skilful use of knights is the mark of the professional player.

9 In certain circumstances pawns can be converted into the most powerful unit on the board.

11 Zugzwang: to move a chess piece under duress.

12 Every piece has its mode of attack but only a pawn will attack en passant. Similarly only a pawn can be captured in this manner.

14 J'adoube: a word used to indicate that a player intends to touch a piece but not move it.

16 Every pawn is a potential queen.

17 A knight can be used to simultaneously threaten two widely spaced units. (This is called a 'fork') If one of these threats is against a king the other piece must inevitably be lost.

18 Mate: a word from Old French meaning to overpower or overcome.

19 One can escape from check by removing hostile pieces or interposing oneself.

20 Enemy territory is that area of the board within one-move range of opposing forces.

21 The king may well be moved to a well-protected spot away from danger.

22 Checkmate remains the ultimate aim of every player.

24 A skewer is an attack along a straight line. As the first piece avoids capture it exposes the second, real target to the full force of the attack.

25 Corridor mate: when a king can only move along an expected route, he can be trapped by closing the corridor.

26 The skilled player memorises and uses the classic sequences of the games of masters.

27 Any move that attacks a hostile king is known as check.

28 Development for its own sake is insufficient. There must be a keen purpose in every move.

29 Players who relish violence, aggression and movement often depend upon the Spanish Game.

33 Two hostile bishops can be used to block the advance of passed pawns since between them they control access to all squares of both colours.

35 In medieval times it was the aim of players to annihilate every opponent instead of checkmating the king.

39 In Burma and Japan a general is the piece we call a queen, but in China and Korea a general is the piece we call a king.

40 A king cannot be captured nor need it be removed from the board. It is enough that the king is put into a position from which it cannot escape.

41 Strong square: one placed well forward, secure from attack and firmly under control.

42 The Exchange: when a player sacrifices something for an opponent's piece of lesser value he is said to be 'the exchange down'.

45 The End-game: this often centres around the queening of a pawn. Here a sudden threat can arrive on home ground.

46 Unless one is a master player the Queen's Gambit — when a pawn is offered for sacrifice — is best declined.

47 The power of a queen often encourages its use single-handed. But an unsupported queen is in a dangerous position against skilfully used pawns.

48 Pawns can only move forward. They can never retreat.

49 If a player is not in check but can only make a move that will place him in check; this is stalemate and is scored as a draw.

50 Originally the piece we now call a queen was a counsellor or government adviser.

51 Repetition rule: it is a rule of chess that when the same sequence recurs three times the game can be terminated.
[Thanks to Campion, and to Richard, whose birthday, by the way, it is today.]

Wednesday, January 11, 2012

Chiv Chat

  • Portsmouth-based artist and chess player Kier Eyles has created, well, a collector's item:-

Monday, January 09, 2012

Sixty Memorable Annotations

#5: Salov-Gligoric, Belgrade 1987


White to play

“Oh no, not a rook ending. I hate these rook endings, just so you know”
Jesper Hall



Well here we are, over a week into 2012 already. It’ll be Christmas again soon.

Anyhoo, to kick-off the New Year, I’m going to have a look back at the last one. It was certainly an unusual twelve months for me. Chessically speaking it was a case of more and better (for the most part) than ever before, and it was different too

Let’s start with the more. In 2011 I played a total of 88 graded games. That’s getting on for three times my usual chessing rate and if you include rapidplay games (24) I broke three figures for the first time ever.

The reason for the increase in activity is simply that last year, for the first time in my life, I regularly played in tournaments. After deciding that 2011 was finally the time to take a holiday in Benasque I thought I could probably do with a warm up and so I entered the e2-e4 events at Sunningdale in May and Gatwick in June. I enjoyed those so much that when I came back from Spain I finished the year playing several more: Twyford, Sunningdale again, Imperial College and the London Chess Classic Open. That’s as many tournaments between August and December 2011 as I had played in the preceding ten years put together.

2011 wasn’t just a year of more chess for me, though. Quite often it was better chess too. Winning the Sunningdale Major was by far the best tournament result of my life and when I look back at individual games I see that I met all of the three highest-rated players that I’ve ever beaten in the last twelve months.

Chess, however – I’m sure you don’t need me to tell you this - is always ready to kick us in the nuts. So what if my grading performance in fifteen club and county games since the start of the 2011/2012 season comes in at 180 ECF (approx 2090 elo) and 8 points above my most recent published grade which was already my highest ever? I still ended the year with a truly dreadful display at the LCC – my elo has already plummeted and no doubt my grade will soon follow – but that terrible result notwithstanding, I feel that in terms of playing strength, I made a small but definite step forward in 2011




Progress



Which brings us to the “different” and the quote from Jesper Hall at the head of today’s blog.

Before last year I don’t think I’d have gone as far as Hall and said that I “hated” endgames (of the rook variety or otherwise), but that would have been because I hardly had any feelings about them at all A few posts aside – for example October and December 2008 - in twenty-five years of chessing endgames had almost never attracted my interest.

In 2011 that all changed. I seemed to be playing more endings in my own games and I started blogging about them too. I even began studying them and, surprise surprise, the more interest that I took in endgames, the more I found endgames interesting.

Take Jesper Hall’s hated rook endings for example. I might have found them dull before, but now it fascinates me that while this




is a draw, if you push everything one file to the left




White has one move that wins. Bring Black’s king a single rank forward, however,




and it’s a draw again. It’s remarkable that the whole game can hang on such apparently insignificant details isn’t it? Sure, this kind of thing is a world away from some kind of double-edged middlegame position, but it’s hardly dull.

As Jacob Aagaard writes

... endgame technique is not just knowledge of manoeuvres and theoretical positions. It is also a matter of accuracy [and] calculation ....

That sounds rather like what good chess – any kind of good chess - should be, doesn’t it? Whatever. Coming around to the idea that endings might be worthy of a much closer look than I’d been given them has certainly broadened my chessboard horizons.




Well that was my 2011: lots of games, a smidgen of success and a newfound interest in the endgame. Last year was really quite unusual for me and yet, when I think about it, I didn’t actually intend any of it.

It wasn’t a conscious decision to play more and I certainly didn’t sit down and conclude that studying endgames would be a good idea. It all happened more or less by accident and I just kind of went with the flow … which makes me really curious as to what will happen this year. Let’s find out shall we?












Saturday, January 07, 2012

Desperate times

Suppose this. Suppose you were working for the New York Times, and you had this article ready to go, all about the impact of continued austerity of the Irish people and economy. But you had to select a photo to head the piece. What sort of photo would you want?

Me, I think you'd want something striking. Something that would make people think "ah, there but for the Grace of God go you and I". Something that would say to the general public, look at what is happening to these people - they must be really desperate, if they've ended up like this.

But maybe the New York Times thought otherwise.

Or maybe they didn't...

Friday, January 06, 2012

Over and out




Well that's it. EJH's Twelve Puzzles of Christmas series has come to an end so the festive period is now officially over.

No correct answers from me I'm afraid. Rather than solving chess problems, I spent much the holidays playing with my Christmas presents and, I mention without any further comment, going to watch a children's show with niece and nephew.

Anyhoo, Chrimbo is finished; welcome to 2012. What passes for normal blogging resumes tomorrow.

Thursday, January 05, 2012

The twelve puzzles of Xmas



Mann, 1912

White to play and win


[Thanks to Sean]

Wednesday, January 04, 2012

The twelve puzzles of Xmas



Lazard, 1911

White to play and win

Tuesday, January 03, 2012

The twelve puzzles of Xmas



Harley, 1910

White to play and mate in two




Pauly, 1910

White to play and mate in three


[Thanks to Jonathan and Martin]

Monday, January 02, 2012

The twelve puzzles of Xmas



V. Platov and M. Platov, 1909

White to play and win

Sunday, January 01, 2012

The twelve puzzles of Xmas



Behting, 1908

White to play and win


[Thanks to Sean]

Saturday, December 31, 2011

The twelve puzzles of Xmas



GW Chandler, 1907

White to play and mate in two

Friday, December 30, 2011

The twelve puzzles of Xmas

[This study is cooked! Scroll down for replacement puzzle]



Troitzky, 1906

White to play and draw


Replacement puzzle below!



Bruski, 1906

White to play and mate in three

Thursday, December 29, 2011

The twelve puzzles of Xmas



Shinkman, 1905

White to play and mate in three

Wednesday, December 28, 2011

The twelve puzzles of Xmas



M. Platov, 1904

White to play and win

Tuesday, December 27, 2011

The twelve puzzles of Xmas



White to play and mate in two

Wynne, 1903

Monday, December 26, 2011

The twelve puzzles of Xmas


White to play and mate in three

Blumenthal, 1902

Sunday, December 25, 2011

The twelve puzzles of Xmas


Lasker (Em.) and Reichhelm, 1901

White to play and win